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The Filmumentaries Podcast – Exploring the Unsung Heroes of Cinema Go beyond the credits and uncover the untold stories of the filmmakers, artists, and craftspeople who bring your favourite movies...
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The Filmumentaries Podcast – Exploring the Unsung Heroes of Cinema Go beyond the credits and uncover the untold stories of the filmmakers, artists, and craftspeople who bring your favourite movies to life. Hosted by filmmaker, author, and film historian Jamie Benning, The Filmumentaries Podcast features in-depth conversations with the behind-the-scenes legends of Hollywood and beyond.
Each episode dives into the real work of filmmaking, from practical, in-camera effects to cutting-edge digital techniques. You’ll hear from art directors, production designers, VFX supervisors, model makers, creature and animatronics experts, puppeteers, editors, sound designers, re-recording mixers, animators, and prop specialists who helped shape iconic films like Star Wars, Indiana Jones, Blade Runner, and Ghostbusters.
With a strong focus on practical effects, physical filmmaking, and the craft behind the illusion, the podcast preserves the knowledge and stories of the people who built, shot, and brought these worlds to life long before pixels took over, and those still pushing the boundaries today.
Jamie is also a writer for Industrial Light & Magic and Skywalker Sound, and has close ties to the BFI’s film restoration and archive teams. Whether you're a cinephile, filmmaker, or simply curious about how films are really made, this podcast is your all-access pass to film history. What You’ll Discover:
Visit: Filmumentaries.com
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Each episode dives into the real work of filmmaking, from practical, in-camera effects to cutting-edge digital techniques. You’ll hear from art directors, production designers, VFX supervisors, model makers, creature and animatronics experts, puppeteers, editors, sound designers, re-recording mixers, animators, and prop specialists who helped shape iconic films like Star Wars, Indiana Jones, Blade Runner, and Ghostbusters.
With a strong focus on practical effects, physical filmmaking, and the craft behind the illusion, the podcast preserves the knowledge and stories of the people who built, shot, and brought these worlds to life long before pixels took over, and those still pushing the boundaries today.
Jamie is also a writer for Industrial Light & Magic and Skywalker Sound, and has close ties to the BFI’s film restoration and archive teams. Whether you're a cinephile, filmmaker, or simply curious about how films are really made, this podcast is your all-access pass to film history. What You’ll Discover:
- First-hand stories from the artists behind the films
- Deep dives into practical effects, model making, animatronics, and VFX
- Insights into both classic and modern filmmaking techniques
- Conversations with creatives from Industrial Light & Magic, Lucasfilm, and beyond
- A celebration of cinema’s hidden heroes
Visit: Filmumentaries.com
Episodi & Post
Episodi
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12 MAG 2026 · In this episode, I chat with creature effects artist, puppeteer and digital pioneer Craig Caton-Largent about a career that arguably traces the entire arc of modern visual effects — from foam latex and animatronics to motion control, performance capture and full CG animation.
Craig talks about growing up on a sheep and cattle ranch in Washington State, being captivated by the 1960s Batman TV show and then Planet of the Apes, and teaching himself prosthetics from Dick Smith's Monster Makeup Handbook. After tracking down Dick Smith's address in Who's Who in America, he wrote a letter that led to a year of mentorship over cassette tapes and ultimately introductions to Rick Baker, Stan Winston and Tom Burman.
We get into his first job on Charles Band's Metal Storm: The Destruction of Jared-Syn, working on the Olympic alien for the 1984 closing ceremonies, sculpting barnacles on Cocoon, building Spock's seamless silicone ears on Star Trek IV: The Voyage Home, undulating menacingly under shaving cream on Larry Cohen's The Stuff, and puppeteering Slimer's mouth on the original Ghostbusters. A big part of the conversation focuses on Jurassic Park, including the design evolution of the T-Rex, the helicopter convention moment that led to the McFadden motion base, the logistics of moving the full-size animatronic across the San Fernando Valley at night, and Craig's work as the Raptor puppeteer, including the now-legendary "head tilt" at the kitchen window that earned an on-set "It's like Alien, I love it" from Spielberg.
We also talk about Craig's twenty-year stint as the caretaker, or "doctor", to the original ET puppet, including the time the LAPD turned up at his garage door thinking he was running a crack lab while he was actually repainting ET.
Plus the story of how Stan Winston handing him a couple of SGI machines led, almost overnight, to him becoming one of the eight co-founders of Digital Domain alongside James Cameron and Scott Ross. Later in the conversation we move into Craig's animation career as a final layout artist and character TD at DreamWorks and Disney, with credits on Tangled, Rise of the Guardians, How to Train Your Dragon 2 and Turbo, and stories from working with Guillermo del Toro at DreamWorks. We finish on Craig's current role as Creative Director of the 3D Animation and Visual Effects department at the New York Film Academy in Burbank.
Topics covered
- Growing up on a Washington State ranch and falling in love with Planet of the Apes
- Famous Monsters of Filmland and Dick Smith's Monster Makeup Handbook
- Cold-writing to Dick Smith and a year of cassette-tape mentorship
- Arriving in Hollywood at the start of the "golden age" of effects
- First feature work on Metal Storm: The Destruction of Jared-Syn
- The closing ceremonies of the 1984 LA Olympics and Ron Cobb's alien
- Sculpting barnacles and cocoons for Cocoon (1985)
- Seamless silicone Spock ears on Star Trek IV: The Voyage Home
- The Stuff with Larry Cohen and "undulating menacingly"
- Puppeteering Slimer's mouth on Ghostbusters
- Designing the T-Rex around helicopter flight simulator technology
- Working with McFadden Simulation on the T-Rex motion base
- Moving the full-size T-Rex across the San Fernando Valley
- Building a 70lb Steadicam-rigged Raptor insert head for Jurassic Park
- Using parrots as reference for bird-like Raptor movement
- The kitchen porthole head tilt, and Spielberg's "It's like Alien" reaction
- Using Kermit the Frog's voice on set as the Raptor performer
- Twenty years as ET's "doctor", and the LAPD crack-lab incident
- ET's arm in a rifle case at JFK a week after 9/11
- Motion capture experiments and blood-spread effects on Interview with the Vampire
- A flying logo on an Amiga, and becoming a co-founder of Digital Domain
- Working with Stan Winston, James Cameron and Scott Ross
- Moving into animation: character rigging at Disney on Tangled
- Final layout and virtual camera work at DreamWorks on Rise of the Guardians, How to Train Your Dragon 2 and Turbo
- Lunches with Guillermo del Toro in the DreamWorks canteen
- Pre-vis on the Total Recall remake with Len Wiseman
- Teaching the next generation at the New York Film Academy, Burbank
- The unique "intergalactic award" Spielberg gave Craig for puppeteering ET This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
28 APR 2026 · In this episode, I chat with model maker Jim Davidson about his journey from a dinosaur-obsessed kid in the 1970s to working on some of the most memorable practical effects sequences in modern cinema. Jim talks about discovering the work of Ray Harryhausen, and how seeing Star Wars at the age of 12 made him realise that visual effects could be a real career.
We get into how a chance meeting with future Oscar-winning art director Robert Stromberg led to his first break in the industry, and how that snowballed into working with the Skotak brothers on major productions. Jim shares detailed insights into the making of the nuclear nightmare sequence in Terminator 2: Judgment Day, including how the miniature buildings were constructed, destroyed, and reset using a combination of breakaway materials, air cannons and practical ingenuity.
We also talk about his work on Batman Returns, the realities of working in small, tight-knit effects crews, and the creative problem-solving that defined that era of filmmaking. A big part of the conversation focuses on the industry shift following Jurassic Park, when CGI began to replace large-scale practical effects. Jim reflects on witnessing that transition first-hand, and why he chose not to move into digital work.
There’s also discussion of his later work, including returning to stop motion for Creepshow, bringing things full circle back to the techniques that first inspired him. It’s a fascinating look at a very specific window in film history, from someone who was right in the middle of it. Topics Covered
- Growing up in the 1970s and early creative influences
- Discovering Ray Harryhausen and stop motion
- The impact of Star Wars on a generation
- Breaking into the film industry through Robert Stromberg
- Early work and first film projects
- Working with the Skotak brothers
- Practical effects techniques on Terminator 2
- Building and destroying miniature cities
- In-camera effects vs optical compositing
- Working on Batman Returns miniatures
- Life on practical effects crews in the 80s and 90s
- The rise of CGI after Jurassic Park
- Transition from analog to digital workflows
- Matte painting: traditional vs Photoshop
- Returning to stop motion on Creepshow
- Reflections on a career in practical effects This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
14 APR 2026 · Episode 147: John Duncan
In this episode, I’m joined by model maker John Duncan, whose career spans nearly fifteen years at Industrial Light & Magic and includes work across Star Wars, Star Trek, Galaxy Quest, Pirates of the Caribbean, The Matrix and more.
John talks about his early fascination with building miniatures as a kid, making models out of paper and cardboard, and how that instinct to just try things eventually led him into the film industry. What started as architectural model work and a stint in television quickly turned into a career at ILM, beginning in 1993, where he arrived for what was meant to be a two-week job and stayed for over a decade .We get into the realities of model making for film, learning to build for the camera rather than for close inspection, working under tight deadlines, and letting go of work when it needs to be modified or destroyed for the shot.
John also discusses his time as a concept model maker on the Star Wars prequels, working with Doug Chiang to create what he describes as “3D blueprints” for the wider production. These models helped bridge the gap between design, practical builds and digital assets, ensuring consistency across departments.There’s plenty here on specific projects too, including building the Enterprise-E for Star Trek: First Contact, working on the ships for Galaxy Quest, and contributing to the large-scale pirate ships in Pirates of the Caribbean. He also shares stories about unusual materials, problem-solving on the fly, and the collaborative nature of the ILM model shop.
We also talk about the shift from practical models to digital effects, where miniatures still have a place today, and why physical builds continue to resonate with filmmakers and audiences alike.John is thoughtful, practical, and clearly still passionate about the craft. This is a great insight into a side of filmmaking that often goes unnoticed, but is absolutely fundamental to how these films were made.
Topics covered
- Growing up building models and early creative influences
- First steps into the film industry via architectural models
- Joining ILM in 1993 and working alongside industry legends
- Building models for camera vs building for display
- Working on Star Trek: First Contact and Galaxy Quest
- Concept model making on the Star Wars prequels
- Collaborating with Doug Chiang and George Lucas
- The idea of “3D blueprints” in film production
- Practical effects vs digital effects
- Working on Pirates of the Caribbean
- Materials, techniques and problem-solving in the model shop
- Replica prop community and fan research
- Why physical models still matter This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
24 MAR 2026 · In this episode, I sit down with Don Bies – former Lucasfilm archivist and special effects artist at ILM – for a deep dive into his career and his time inside the Star Wars archive. Don takes me right back to his childhood in Chicago, where a viewing of the 1931 Frankenstein sparked a lifelong fascination with makeup effects and filmmaking . From experimenting with homemade prosthetics to building a full-size R2-D2, his early passion eventually led him to California. We talk about his first major break working on The Fly, where he contributed to several effects – many of which ended up on the cutting room floor, but gave him invaluable experience. From there, Don’s path into Lucasfilm begins, starting with operating R2-D2 on commercials alongside Anthony Daniels, Peter Mayhew and even George Lucas. That connection ultimately led to him working on the Lucasfilm archives. This is where things get really interesting. Don describes what it was like stepping into a warehouse full of original Star Wars props, models and documents – much of it undocumented and at risk of being lost or discarded . He shares stories of discovering key items like Darth Vader’s helmet hidden in a crate, uncovering original manuscripts and audio recordings, and building one of the first digital catalogues of the collection. We also get into:
- His role in early Lucasfilm exhibitions and the growth of the archive
- Working at Skywalker Ranch and the unique creative environment there
- The transition period between Return of the Jedi and the Special Editions
- Wearing multiple costumes (including Boba Fett) during the Special Edition shoots
- The reality of preserving film history inside a working production company
It’s a brilliant conversation that really captures a moment in time when Star Wars history could easily have been lost – and the people who helped save it. This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
17 MAR 2026 · In this episode of The Filmumentaries Podcast, I’m joined by creature effects designer Alec Gillis, founder of Studio Gillis and co-founder of Amalgamated Dynamics Inc. (ADI) alongside Tom Woodruff Jr.Alec has spent more than four decades helping bring some of cinema’s most memorable creatures to life.
After beginning his career working under the legendary Stan Winston, he went on to contribute to films including Aliens, Predator, Alien³, Tremors, Death Becomes Her, Starship Troopers and many more.In this conversation we talk about how a childhood encounter with Ray Harryhausen’s Jason and the Argonauts set him on this path, the early days building stop-motion creatures in his parents’ garage, working for Roger Corman alongside a young James Cameron, and what it was like joining Stan Winston Studio during one of the most exciting periods in creature effects history.
We also talk about the eight-week scramble to build the Predator, working with David Fincher on Alien³, forming ADI with Tom Woodruff Jr., and how practical creature effects continue to evolve in an industry now dominated by digital tools.
This interview was recorded remotely, but I recently had the chance to visit Alec in Los Angeles while filming interviews for our upcoming Joe Alves documentary, where we spoke in person about his work on Jaws 3-D.
Topics discussed
• Discovering movie magic through Ray Harryhausen
• Building stop-motion creatures as a kid
• Learning the craft during the Roger Corman years
• Meeting and working alongside James Cameron
• Life inside Stan Winston Studio
• Creating the Predator in just eight weeks
• The production of Alien³ and working with David Fincher
• Founding Amalgamated Dynamics Inc. with Tom Woodruff Jr.
• Practical effects in the digital era
• Mentoring the next generation of creature artistsSupport the PodcastIf you enjoy The Filmumentaries
I hope you enjoy it. This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
10 FEB 2026 · In this episode, I chat with Academy Award-winning sound designer Randy Thom about his journey from college radio to shaping the soundscapes of some of cinema’s most iconic films.We discuss:
- Growing up loving movies and discovering sound via college radio in Ohio
- Making a cold call to Walter Murch and landing a job on Apocalypse Now
- Early sound experiments at Skywalker Ranch
- Recording effects for The Empire Strikes Back and Raiders of the Lost Ark
- Collaborating with Robert Zemeckis and David Lynch
- Why sound should be involved in pre-production
- The evolution from analog to digital workflows
- The creative and economic impact of AI on film sound
- The philosophy behind “inventing” sonic space
- Winning an Oscar for The Right Stuff
- Winning a BAFTA for The Revenant
Randy also reflects on mentorship, collaboration at Skywalker Ranch, and why storytelling always matters more than authenticity.Listen now and take a deep dive into the craft of cinematic sound.
See below for all the links you might need! This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
5 FEB 2026 · This is a short bonus episode with a very specific purpose. Patrick Tyndall and I are in the middle of a https://gofund.me/a29a362bd campaign to get us back to Los Angeles to finish filming Not Your Average Joe, our documentary about legendary production designer Joe Alves. This episode is me explaining where the project is at, what we’ve already achieved, and why this upcoming LA trip feels so important. We’ll be in Los Angeles from 22–28 February 2026, filming interviews and B-roll that cover some key chapters of Joe’s life and career, including:
- Joe’s short but intense motor racing career, including racing alongside Dickie Smothers
- The story of Joe introducing a major Hollywood actor to racing, setting them on a path to a serious motorsport career
- An interview with Alec Gillis the effects artist who built the articulated sharks for Jaws 3
- A conversation with Ann Dusenberry, who worked closely with Joe on Jaws 2
- An interview with Dean Cundey, cinematographer on Escape from New York
- Ongoing efforts to involve Steven Spielberg in the project
The documentary has only been shot over a relatively small number of days so far, all fitted around regular jobs and family life, but the material we’ve captured already has been incredible. This next trip is about joining the dots and getting the remaining pieces that will allow us to bring Joe’s story properly over the finish line. At the time of recording, the GoFundMe is sitting at around $1,000, and we need roughly $3,000 to make the trip work. Any contribution helps, but just as importantly, sharing the campaign on social media genuinely makes a difference. If you’ve ever enjoyed the podcast, the articles, or the behind-the-scenes conversations, this is me asking for a bit of help to make sure this story gets told.
https://gofund.me/a29a362bd This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
27 GEN 2026 · In this episode of The Filmumentaries Podcast, I’m joined by filmmaker John Campopiano and producer Jim Beller to talk about their new documentary, The Farmer and the Shark. The film centres on Craig Kingsbury, a farmer from Martha’s Vineyard who appeared in Jaws (1975), playing Ben Gardner, the local fisherman whose abandoned boat is discovered by Chief Brody early in the film.
From that small but unforgettable role, the documentary explores Craig’s life, his connection to the island, and how his story intersects with the legacy of Jaws.
John Campopiano is the director of the film and is known for documentaries including Unearthed & Untold: The Path to Pet Sematary and Pennywise: The Story of IT. Jim Beller is one of the producers of The Farmer and the Shark - former producer of my Inside Jaws - A Filmumentary and all round Jaws expert.
I should note that I haven’t seen the finished film yet, so this conversation focuses on the making of the documentary, how the project came together, why Craig Kingsbury’s story stood out, earning trust, and shaping a film around a real person whose life briefly intersected with a cinematic landmark. If you’re looking for a calm, thoughtful conversation about film history, storytelling, and the people behind the scenes, I hope this episode provides a welcome distraction. Guests
- John Campopiano — Director
- Jim Beller — Producer
Films Discussed
- The Farmer and the Shark
- Jaws (1975)
Support the Podcast - If you enjoy The Filmumentaries Podcast, you can support the show on Patreon. Your support helps cover the time, research, travel, and production costs involved in making these episodes. Thanks for listening. This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
6 GEN 2026 · https://www.kickstarter.com/projects/jonspira/mike-hodges-ill-settle-for-nothingness
Summary
In this conversation, Jon Spira discusses his new book 'I'll Settle for Nothingness: Conversations with Mike Hodges', detailing the genesis of the book, his friendship with the legendary filmmaker, and the exploration of Hodges' versatile career. The discussion covers many things including the making of 'Morons from Outer Space', the challenges of unproduced films, and the emotional journey of writing the book. Spira also shares insights into Hodges' legacy, his experiences with the BFI, and the Kickstarter campaign for the book's publication.
Takeaways
The book is a collection of conversations with Mike Hodges.
Jon Spira's friendship with Hodges developed through their shared love of cinema.
'Morons from Outer Space' is a film that has gained a cult following despite its initial failure.
Hodges was a versatile filmmaker, working across various genres.
The Terminal Man is a significant film that was poorly marketed and overlooked.
Hodges had many unproduced films that reflect his creative vision.
The BFI is preserving Hodges' legacy through his film archive.
Spira aims to honor Hodges' memory through this book.
The emotional journey of writing the book was profound for Spira.
The Kickstarter campaign is a way to celebrate Hodges' work and legacy. This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
Trascritto
23 DIC 2025 · Rob Spera is a film and television director, educator, and the author of Film/TV Director’s Field Manual: 70 Maxims to Change Your Filmmaking. With decades of experience directing features, episodic television, and theatre, Rob brings a deeply practical, human-centred approach to directing and leadership. In this conversation, we discuss:
- Why Rob describes his book as an “anti-textbook”
- The idea that the camera’s job is to photograph subtext
- Building non-redundant frames that invite the audience to participate
- Why kindness and psychological safety are essential creative tools
- Letting go of control and empowering collaborators
- What “write what you know” really means
- How directors can practise their craft between jobs
https://amzn.to/44G5rvdand https://www.robspera.com/book
HAPPY HOLIDAYS! This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube:
Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
https://linktr.ee/filmumentaries
The Filmumentaries Podcast – Exploring the Unsung Heroes of Cinema Go beyond the credits and uncover the untold stories of the filmmakers, artists, and craftspeople who bring your favourite movies...
mostra di più
The Filmumentaries Podcast – Exploring the Unsung Heroes of Cinema Go beyond the credits and uncover the untold stories of the filmmakers, artists, and craftspeople who bring your favourite movies to life. Hosted by filmmaker, author, and film historian Jamie Benning, The Filmumentaries Podcast features in-depth conversations with the behind-the-scenes legends of Hollywood and beyond.
Each episode dives into the real work of filmmaking, from practical, in-camera effects to cutting-edge digital techniques. You’ll hear from art directors, production designers, VFX supervisors, model makers, creature and animatronics experts, puppeteers, editors, sound designers, re-recording mixers, animators, and prop specialists who helped shape iconic films like Star Wars, Indiana Jones, Blade Runner, and Ghostbusters.
With a strong focus on practical effects, physical filmmaking, and the craft behind the illusion, the podcast preserves the knowledge and stories of the people who built, shot, and brought these worlds to life long before pixels took over, and those still pushing the boundaries today.
Jamie is also a writer for Industrial Light & Magic and Skywalker Sound, and has close ties to the BFI’s film restoration and archive teams. Whether you're a cinephile, filmmaker, or simply curious about how films are really made, this podcast is your all-access pass to film history. What You’ll Discover:
Visit: Filmumentaries.com
mostra meno
Each episode dives into the real work of filmmaking, from practical, in-camera effects to cutting-edge digital techniques. You’ll hear from art directors, production designers, VFX supervisors, model makers, creature and animatronics experts, puppeteers, editors, sound designers, re-recording mixers, animators, and prop specialists who helped shape iconic films like Star Wars, Indiana Jones, Blade Runner, and Ghostbusters.
With a strong focus on practical effects, physical filmmaking, and the craft behind the illusion, the podcast preserves the knowledge and stories of the people who built, shot, and brought these worlds to life long before pixels took over, and those still pushing the boundaries today.
Jamie is also a writer for Industrial Light & Magic and Skywalker Sound, and has close ties to the BFI’s film restoration and archive teams. Whether you're a cinephile, filmmaker, or simply curious about how films are really made, this podcast is your all-access pass to film history. What You’ll Discover:
- First-hand stories from the artists behind the films
- Deep dives into practical effects, model making, animatronics, and VFX
- Insights into both classic and modern filmmaking techniques
- Conversations with creatives from Industrial Light & Magic, Lucasfilm, and beyond
- A celebration of cinema’s hidden heroes
Visit: Filmumentaries.com
Informazioni
| Autore | Chris Stachiw |
| Organizzazione | Weirding Way Media |
| Categorie | Film e TV , Cinema: interviste , Storia del cinema |
| Sito | www.spreaker.com |
| info@filmumentaries.com |
Copyright 2026 - Spreaker Inc. an iHeartMedia Company
