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Embark on a mesmerizing journey through the realms of imagination and surrealism with "Ebony and Crystal," a podcast that delves into the extraordinary landscapes of art, dreams, and cosmic wonder....
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Embark on a mesmerizing journey through the realms of imagination and surrealism with "Ebony and Crystal," a podcast that delves into the extraordinary landscapes of art, dreams, and cosmic wonder. Each episode features a new complete audiobook that invites listeners to experience the vibrant interplay of light and shadow, exploring the juxtaposition of life's ephemeral beauty against the backdrop of the universe's vast mysteries. This is not a single story but a rich tapestry of unique explorations, where the boundaries of reality dissolve, revealing the intricate dance of existence—both haunting and sublime. With every episode, you are encouraged to discover a new book that ignites your senses and expands your understanding of the extraordinary narratives that shape our perception of the cosmos. Join us as we traverse the uncharted territories of thought and creativity, celebrating the alchemy of words that transforms the ordinary into the extraordinary.
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Episodi & Post
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28 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
27 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
26 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
25 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
24 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
23 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
22 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
21 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
20 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
19 AGO 2026 · As stated in L'Alouette: A Magazine of Verse, "Ebony and Crystal is an artist's intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods, and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colorful luxuriance with which he peoples it could be born from nothing less than sheer genius. The summation of Mr. Smith's exotic vision is perhaps attained in the long phantasmal procession of blank verse pentameters entitled, "The Hashish-Eater; or, the Apocalypse of Evil." In this frenzied plunge through nameless gulfs of interstellar terror the Californian presents a narcotic pageant of poisonous vermilious and paralysing shadows whose content is equalled only by its verbal medium; a medium involving one of the most opulent and fastidiously choice vocabularies ever commanded by a writer of English." Clark Ashton Smith, referred to as one of the big three of Weird Tales, was a romantic-style poet, a Lovecraftian-style writer and a literary friend of H.P Lovecraft. As a poet, he was considered one of the last great West Coast Romantics. Ebony and Crystal, published in 1922, was Smith's last collection of pure poetry. - Summary by Mary Kay and L'Alouette: A Magazine of Verse
Embark on a mesmerizing journey through the realms of imagination and surrealism with "Ebony and Crystal," a podcast that delves into the extraordinary landscapes of art, dreams, and cosmic wonder....
mostra di più
Embark on a mesmerizing journey through the realms of imagination and surrealism with "Ebony and Crystal," a podcast that delves into the extraordinary landscapes of art, dreams, and cosmic wonder. Each episode features a new complete audiobook that invites listeners to experience the vibrant interplay of light and shadow, exploring the juxtaposition of life's ephemeral beauty against the backdrop of the universe's vast mysteries. This is not a single story but a rich tapestry of unique explorations, where the boundaries of reality dissolve, revealing the intricate dance of existence—both haunting and sublime. With every episode, you are encouraged to discover a new book that ignites your senses and expands your understanding of the extraordinary narratives that shape our perception of the cosmos. Join us as we traverse the uncharted territories of thought and creativity, celebrating the alchemy of words that transforms the ordinary into the extraordinary.
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| Autore | Single Author Genre |
| Organizzazione | Single Author Genre |
| Categorie | Libri , Scienze , Astronomia |
| Sito | - |
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