11 DIC 2023 · Before beloved singer and actor Burl Icle Ivanhoe Ives enchanted audiences worldwide with his warm, gritty voice, he traveled a long road that seemed unlikely to lead to stardom. Born in rural Hunt City, Illinois in 1909, Ives entered the world in humble circumstances that offered little hint of the prestigious performing career to come. As a member of a poor farming family, young Burl grew up toiling away on grueling tasks meant to supplement the meager family income. This arduous manual labor constituted his childhood education more than any formal schooling. However, Ives blossomed into a spirited boy whose jovial personality and musical inclination distinguished him. Music and Storytelling – A Childhood Passion From a young age, Ives found solace and escape in old folk ballads and country singalongs. He would listen intently to tunes floating from front porches in his traveling youth, fascinated by the way melodies preserved people’s stories. By age 14, Ives had picked up the banjo and guitar, demonstrating prodigal talent. As a wandering teenager searching for work during the Depression era, he discovered public performance to be a potent panacea for the bitterness of poverty and grueling physical jobs. When not toiling away on farms or in factories, Ives immersed himself in the rhythms and narratives of traditional American folk music. He realized such culturally rich songs granted him access to a heritage that stretched long before him. Ives also relished opportunities to inject humor or personalized flourishes into well-known standards for live audiences. Playing songs in his soulful, resonant baritone for spare change or passing trains helped Ives endure an often lonely, transient young adulthood. Big Breaks in New York City Theater By the late 1930s, the 20-something Ives had decided to pursue music professionally rather than as a hobby during seasonal employment. He moved to New York City and quickly earned notice in Greenwich Village folk circles, getting pegged as a rising “young balladeer.” This reputation scored him an invite to perform on WNYC radio in 1937. His rich voice and emotional delivery dazzled sophisticated city audiences, with one New York Times writer declaring him “the best ballad singer in America.” Ives soon found his breakout opportunity on the Great White Way itself when he was cast as a lead in the smash 1940 Broadway musical The Boys From Syracuse. His theater debut landed with resounding success, showcasing abilities to impart warmth and humanity through song. Rave reviews specifically cited Ives’ uncommon talents at story-song interpretation as something new and wonderful. Such acclaim earned him both a largerg platform for concerts and radio work, plus more Broadway productions thirsty for his magnetic, singular presence. By 1945, Ives had starred in productions like Sing Out, Sweet Land! and appeared on NBC radio programs that introduced him to millions of Americans. That year also marked his first studio album, The Wayfaring Stranger, considered a seminal entry in popularizing traditional folk for wider audiences. As Ives’ star rose in theater and music fame spread nationally, it became clear a barnstorming style crystallized in ragged 1930s living conditioned him uniquely to convey the simplest hopes and sorrows within America’s heritage. Scene-Stealing Film Roles Parallel to conquering Broadway stages with uncommon authenticity and earning a recording contract, Ives also contributed memorable early supporting appearances in Hollywood movies. Directors recognized his weathered voice, towering frame and sly charisma made him ideal for sage cowboys, no-nonsense cops or eccentric country bumpkins. In films spanning the 1940s like Smoky(1946) and Alias Jesse James (1959), Ives crafted scene-stealing moments around refrains of iconic songs like “Blue Tail Fly.” Yet Ives’ most legendary Hollywood hour came when he brought Southern patriarch Big Daddy Pollitt's bristling, tragicomic life opposite Paul Newman in 1958 Best Picture winner Cat on a Hot Tin Roof. As the tough, dying plantation owner Big Daddy, Ives earned effusive raves, an Academy Award for Best Supporting Actor, and saturation in the public imagination. In the years following, Ives rounded out his triple-threat entertainer status as a reliable film character actor by releasing hit records like “A Little Bitty Tear” and “Funny Way of Laughin’” which consolidated his radio fame into top chart visibility. Reinventing with the Times As the 1960s unfolded with flashier rock, Motown and British pop trends shoveling folk aside in mainstream music consciousness, Ives adeptly refined his sound and performance outlets to avoid fading away. He translated signature tunes into gently modernized arrangements while dabbling in spoken word story-songs like the smash “A Holly Jolly Christmas.” Simultaneously, Ives prioritized connecting with young audiences by acting in Disney films and network TV. Though Ives presented a non-controversial image publicly, he also aligned himself with the era’s counter-cultural impulse for personal expression in more subtle ways. His records would mix traditional with modern message tunes like “In the Summer of His Years,” released after Martin Luther King Jr’s assassination. And Ives lent narration to a classic counterculture film, 1962’s Monterey Pop Festival documentary. As the 1960s closed out, Ives gracefully transitioned into an elder statesman role that balanced mainstream TV appearances and even product endorsements with bold touches of social commentary. Later Life in Film and Music As he entered his 60s and 70s, Ives chiefly committed his talents to the mediums that initially popularized him - film, theater, and story-song records. He earned recognition for induction into the Country Music Hall of Fame and starred in carried Broadway revivals of allegorical plays like Knickerbocker Holiday. Meanwhile, on screens, Ives transitioned fluidly into heartwarming character roles as grandfatherly doctors, judges or wizened mentors in wholesome comedies. By his late years, Ives had accumulated an astonishing 300+ acting credits. Even amidst his final decade working constantly in network TV and family films, Ives also periodically revisited musical projects that highlighted underrated aspects of his legacy. In key albums from the 1970s and 80s like America Sings of Heroes & Home, he got to further showcase himself as not just an interpreter carrying centuries of ballads forward, but also a distinctive songwriter penning poetic originals about the nation he crisscrossed. Just weeks before his death in 1995 at age 85, Ives even recorded what became a posthumous Grammy-winning gospel album called The Lord is My Shepherd, reaffirming his love of spiritual hymns. Across an incredible six-decade career traversing every facet of entertainment during periods of immense cultural change, Ives ultimately poured the hard-won wisdom of a transient early life spent connecting America’s communities into a matchless creative legacy spanning from Tony Awards to beloved film roles to classical records keeping folk traditions alive. While granted less flashy fame compared to musical contemporaries like Frank Sinatra and Elvis Presley, Ives earned arguably peerless admiration as a masterful vessel through which diverse generations experienced the profound weight of history within humble, uplifting American songcraft. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts.