From the hushed, hypnotic repetition of the opening monologue of Alain Resnais' L'année dernière à Marienbad to the eerie mountain approach of Jack Torrance and family to the Overlook in Kubrick's The Shining, accompanied by Wendy Carlos's glacial electronic reinvention of Dies Irae, Seeing Voices presents a sonic encounter between two of cinema's most celebrated hotel time-machines.